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“Mark Twain” on the Launch of the Steamer “Capital”hc

I get Mr. Muff Nickersonan to go with Me and Assiste in Reporting the Great Steamboat Launch. He Relates the Interesting History of the Travelling Panoramist.

I was just starting off to see the launch of the great steamboat Capital, on Saturday week, when I came across Mulph, Mulff, Muff, Mumph, Murph, Mumf, Murf, Mumford, Mulford, Murphy Nickerson—(he is well known to the public by all these names, and I cannot say which is the right one)—bound on the same errand. He said that if there was one thing he took more delight in than another, it was a steamboat launch; he would walk miles to see one, any day; he had seen a hundred thousand steamboat launches in his time, and hoped he might live to see a hundred thousand more; he knew all about them; knew everything— everythinge connected with them—said he “had it all down to a scratch;” he could explain the whole process in minute detail; to the uncultivated eye a steamboat-launch presented nothing grand, nothing startling, nothing beautiful, nothing romantic, or awe-inspiringe or sublime—but to an optic like his (which saw not the dull outer coating, but the radiant gem it hid from other eyes,) it presented all these—and behold, he had power to lift the veil and display the vision even unto the uninspired. He coulde do this by


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word of mouth—by explanation and illustration. Let a man stand by his side, and to him that launch should seem arrayede in the beauty and the glory of enchantment!hc

This was the man I wanted. I could see that plainly enough. There would be many reporters present at the launch, and the papers would teem with the inevitable old platitudinal trash which this sort of people have compelled to do duty on every occasion like this since Noah launched his ark—but I aspired to higher things. I wanted to write a report which should astonish and delight the whole intellectual world—which should dissect, analyze, and utterly exhaust the subject—which should serve for a model in this species of literature for all time to come. I dropped alongside of Mr. M. M. M. M. M. M. M. M. M. M. Nickerson, and we went to the launch together.hc

We set out in a steamer whose decks were crowded with persons of all ages, who were happy in their nervous anxiety to behold the novelty of a steamboat launch. I tried not to pity them, but I could not help whispering to myself, “These poor devils will see nothing but some stupid boards and timbers nailed together—a mere soulless hulk—sliding into the water!”hc

As we approached the spot where the launch was to take place, a gentleman from Reese River, by the name of Thompson, came up, with several friends, and said he had been prospecting on the main deck, and had found an object of interest—a bar. This was all very well, and showed him to be a man of parts—but like many another man who produces a favorable impression by an introductory remark replete with wisdom, he followed it up with a vain and unnecessary question—Would we take a drink? This to me!—This to M. M. M., etc., Nickerson!

We proceeded, two-by-two, arm-in-arm, down to the bar in the nether regions, chatting pleasantly and elbowing the restless multitude. We took pure, cold, health-giving water, with some other things in it, and clinked our glasses together, and were about to drink, when Smith, of Excelsior, drew forth his handkerchief and wiped away a tear; and then, noticing that the action had excited some attention, he explained it by recounting a most affecting incident in the history of a venerated aunt of his—now deceased—and said that, although long years had passed since the


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touching event he had narrated, he could never take a drink without thinking of the kind-heartede old lady.

Mr. Nickerson blew his nose, and said with deep emotion that it gave him a better opinion of human nature to see a man who had had a good aunt, eternally and forever thinking about her.

This episode reminded Jones, of Mud Springs, of a circumstance which happened many years ago in the home of his childhood, and we held our glasses untouched and rested our elbows on the counter, while we listened with rapthc attention to his story.

There was something in it about a good natured, stupid man, and this reminded Thompson of Reese River of a person of the same kind whom he had once fallen in with while travelling through the back-settlements of one of the Atlantic States, and we postponed drinking until he should give us the facts in the case. The hero of the tale had unintentionally created some consternation at a camp-meeting by one of his innocent asinine freaks, and this reminded Mr. M. Nickerson of a reminiscence of his temporary sojourn in the interior of Connecticut some months ago, and again our uplifted glasses were stayed on their way to our lips, and we listened attentively tohc

the entertaining history of the scriptural panoramist.

[I give the storyhc in Mr. Nickerson's own language.]hc

There was a fellow travelling around, in that country, (said Mr. Nickerson,) with a moral religious show—a sort of ahc scriptural panoramaan—and he hired a wooden-headed old slabhc to play the piano for him. After the first night's performance, the showman says:

“My friend, you seem to know pretty much all the tunes there are, and you worry along first-ratee. But then didn'thc you notice that sometimes last night the piece you happened to be playing was a little roughhc on the proprietieshc so to speak—didn't seem to jibe with the general gait of the picture that was passing at the time, as it were—was a little foreign to the subject, you know—as if you didn't either trump or follow suit, you understand?”

“Well, no,” the fellow said; he hadn't noticed, but it might be; he had played along just as it came handy.


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So they put it up that the simplehc old dummy was to keep his eye on the panorama after that, and as soon as a stunninghc picture was reeled out, he was to fit it to a dot with a piece of music that would help the audience gethc the idea of the subject, and warm them up like a camp-meeting revivalhc. That sort of thing would corralhc their sympathies, the showmane said.

There was a big audience that night—mostly middle-aged and old people who belongedhc to the church and took a strong interest in Bible matters, and the balance were pretty much young bucks and heifers—theyhc always come out strong on panoramas, you know, because it gives them a chance to taste one another's mugshc in the dark.

Welle,hc the showman began to swell himself up for his lecture, and thehc old mud-dobber tackled the piano and runhc his fingers up and downhc once or twice to see that shehc was all right, and the fellowshc behind the curtain commenced to grind outhc the panorama. The showman balanced his weight on his right foot, and propped his hands onhc his hips, and flung his eyehc over his shoulder at the scenery, and says:

“Ladies and gentlemen, the painting now before you illustrates the beautiful and touching parable of the Prodigal Son. Observe the happy expression just breaking over the features of the poor suffering youth—so worn and weary with his long march: note also the ecstasy beaming from the uplifted countenance of the aged father, and the joy that sparkles in the eyes of the excited group of youths and maidens and seems ready to burst in ahc welcoming chorus from their lips. The lesson, my friends, is as solemn and instructive as the story is tender and beautiful.”

The mud-dobberhc was all ready, and the second the speech was finished hehc struck up:

Oh,hc we'll all get blind drunk
When Johnny comes marching home!”

Some of the people giggled, and some groaned a little. The showman couldn't say a word. He looked at the piano sharphc, but he was all lovely and serene—he didn't know there was anything out of gear.


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The panorama moved on, and the showman drummed up his grithc and started in freshhc:

“Ladies and gentlemen, the fine picture now unfolding itself to your gaze exhibits one of the most notable events in Bible History—our Savior and his disciples upon the Sea of Galilee. How grand, how awe inspiring are the reflections which the subject invokes!hc What sublimity of faith is revealed to us in this lesson from the sacred writings!hc The Savior rebukes the angry waves, and walks securely upon the bosom of the deep!”e

All aroundhc the house they were whispering: “Oh,hc how lovely!hc how beautiful!” and the orchestra let himself out again:

Oh,hc a life on the ocean wave,
And a home on the rolling deep!hcan

There was a good deal of honest snickering turned onhc this time, and considerable groaning, and one or two oldhc deacons got up and went out. The showman grittedhc his teeth and cursed the piano man to himself, but the fellow sat there like a knot on a log, and seemed to think he was doing first-rate.

After things got quiet, the showman thought he would make one more stagger at it, any howhc, though his confidence was beginning to get mightyhc shaky. The supeshc started the panorama to grindinghc along again, and he says:

“Ladies and gentlemen, this exquisite painting illustrateshc the raising of Lazarus from the dead by our Savior. The subject has been handled with rare abilityhc by the artist, and such touching sweetness and tenderness of expression has he thrown into it, that I have known peculiarly sensitive persons to be even affected to tears by looking at it. Observe the half-confused, half-inquiring look, upon the countenance of the awakeninghc Lazarus. Observe, also, the attitude and expression of the Savior, who takes him gently by the sleeve of his shroud with one hand, while he points with the other toward the distant city.”

Before anybody could get off an opinion in the case, the innocent old asshc at the piano struck up:

“Come rise up, William Ri-i-leyhc,
And go along with me!”an


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It was rough on the audience, you bet you.hc All the solemn old flats got up in a huffhc to go, and everybody else laughed till the windows rattled.

The showman went down and grabbed the orchestra, and shook him up, and says:

“That letsehc you out, you know, you chowder-headed old clam!hc Go to the door-keeper and get your money, and cut your stick!hc —vamose the ranch! Ladies and gentlemen, circumstances over which I have no control compel me prematurely to dismiss—”tehc

“By George! it was splendid!—come! all hands! let's take a drink!”

It was Phelim O'Flannigan, of San Luis Obispo, who interrupted. I had not seen him before. “Whathc was splendid?” I inquired.

“The launch!”

Our party clinked glasses once more, and drank in respectful silence.

Mark Twain.hc

P. S.—You will excuse me from making a model report of the great launch. I was with Mulf Nickerson, who was going to “explain the whole thing to me as clear as glasshc,” but, you see, they launched the boat with such indecent haste, that we never got a chance to see it. It was a great pity, because Mulph Nickerson understands launches as well as any man.hc

Historical Collation
hc “Mark Twain” on the Launch of the Steamer “Capital” (Cal)  •  The Launch of the Steamer Capital (JF1–JF4, JF1–JF3)  The Entertaining History of the Scriptural Panoramist (MTSk)  A Travelling Show (Scrs–HWb)  The Scriptural Panoramist (HWbMT–SkNO) 
hc He . . . enchantment! (Cal)  •  not in (JF1–JF4, JF1–JF3) 
hc I could . . . together. (Cal)  •  not in (JF1–JF4, JF1–JF3) 
hc I tried . . . water!” (Cal)  •  not in (JF1–JF4, JF1–JF3) 
hc rapt (Cal–JF3)  •  wrapt (JF4) 
hc I get . . . attentively to (Cal–JF4, Cal–JF3)  •  not in (MTSk, Scrs–SkNO) 
hc story (Cal)  •  history (JF1–MTSk, JF1–JF3) 
hc the . . . language.] (Cal–MTSk, Cal–JF3)  •  not in (Scrs–SkNO) 
hc of a (Cal–MTSk, Cal–JF3)  •  of (Scrs–SkNO) 
hc wooden-headed old slab (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  simple old creature (MTSk) 
hc didn't (Cal–MTSk, Cal–JF3)  •  don't (Scrs–SkNO) 
hc rough (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  rasping (MTSk) 
hc proprieties (Cal–MTSk, Cal–JF3, HWaMT–SkNO)  •  proprietors (Scrs–HWa) 
hc simple (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  poor (MTSk) 
hc stunning (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  smart (MTSk) 
hc get (Cal–JF4, Cal–JF3)  •  to get (MTSk, Scrs–SkNO) 
hc like a camp-meeting revival (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  to an appreciation of it (MTSk) 
hc corral (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  capture (MTSk) 
hc belonged (Cal–JF4, Cal–JF3)  •  belong (Scrs–SkNO) 
hc they (Cal–JF4, Cal–JF3)  •  they (Scrs–SkNO) 
hc mugs (Cal–JF4, Cal–JF3)  •  mug (Scrs–HWb)  complexions (HWbMT–SkNO) 
hc mostly . . . Well, (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  not in (MTSk) 
hc and the (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  the (MTSk) 
hc mud-dobber . . . run (Cal–JF1)  •  mud-dobber . . . ran (JF2–JF4, JF2–JF3, Scrs–SkNO)  pianist ran (MTSk) 
hc down (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  down his instrument (MTSk) 
hc she (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  it (MTSk) 
hc fellows (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  supes (MTSk) 
hc grind out (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  unwind (MTSk) 
hc on (Cal–MTSk, Cal–JF3)  •  over (Scrs–SkNO) 
hc eye (Cal–MTSk, Cal–JF3)  •  eyes (Scrs–SkNO) 
hc in a (Cal–MTSk, Cal–JF3)  •  into the (Scrs–SkNO) 
hc mud-dobber (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  musician (MTSk) 
hc the second the speech was finished he (Cal–MTSk, Cal–JF3)  •  when the second speech was finished (Scrs–SkNO) 
hc Oh, (Cal, Scrs–SkNO)  •  Oh! (JF1–MTSk, JF1–JF3) 
hc piano sharp (Cal–JF4, Cal–JF3)  •  pianist (MTSk)  pianist sharp (Scrs–SkNO) 
hc grit (Cal–JF4, Cal–JF3, Scrs–HWa, HWbMT–SkNO)  •  pluck (MTSk)  girt (HWb) 
hc started in fresh (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  began again (MTSk) 
hc invokes! (Cal–MTSk, Cal–JF3, Scrs)  •  invokes? (HWa–SkNO) 
hc writings! (Cal–MTSk, Cal–JF3)  •  writings? (Scrs–SkNO) 
hc around (Cal–MTSk, Scrs–SkNO)  •  round (JF3) 
hc Oh, (Cal, Scrs–SkNO)  •  Oh! (JF1–MTSk, JF1–JF3) 
hc lovely! (Cal–MTSk, Cal–JF3)  •  lovely, (Scrs–SkNO) 
hc Oh, (Cal)  •  Oh! (JF1–MTSk, JF1–JF3)  not in (Scrs–SkNO) 
hc deep! (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  deep? (MTSk) 
hc snickering turned on (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  laughter (MTSk) 
hc old (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  not in (MTSk) 
hc gritted (Cal–MTSk, Cal–JF3, HWbMT–SkNO)  •  grated (Scrs–HWb) 
hc any how (Cal–MTSk, Cal–JF3)  •  any way (Scrs–SkNO) 
hc mighty (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  very (MTSk) 
hc supes (Cal–MTSk, Scrs–SkNO)  •  super (JF3) 
hc to grinding (Cal–JF4, Cal–JF3)  •  not in (MTSk)  grinding (Scrs–SkNO) 
hc illustrates (Cal–MTSk, Cal–JF3)  •  represents (Scrs–SkNO) 
hc rare ability (Cal–MTSk, Cal–JF3)  •  marvellous skill (Scrs–SkNO) 
hc awakening (Cal–MTSk, Cal–JF3)  •  awakened (Scrs–SkNO) 
hc ass (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  muggins (MTSk) 
hc Ri-i-ley (Cal–MTSk, Cal–JF3, HWaMT–SkNO)  •  Ri-d-ley (Scrs–HWa) 
hc It . . . bet you. (Cal–JF4, Cal–JF3)  •  My! (MTSk)  It . . . bet. (Scrs–HWb)  Whe-ew! (HWbMT–SkNO) 
hc huff (Cal–JF4, Cal–JF3, Scrs–SkNO)  •  fury (MTSk) 
hc lets (JF1–JF4, JF1–JF3, Scrs–SkNO)  •  let's (Cal) 
hc clam! (Cal–JF4, Cal–JF3, Scrs–HWa)  •  clam: (HWb–SkNO) 
hc stick! (Cal–JF4, Cal–JF3)  •  stick (Scrs–SkNO) 
hc says: . . . dismiss—” (Cal–JF4, Cal–JF3)  •  says—— But what he said was too vigorous for repetition, and is better left out. (MTSk)  says—. . . dismiss.” (Scrs–HWa)  says— . . . dismiss the house.” (HWaMT–SkNO) 
hc no “What (Cal)  •  “What (JF1–JF4, JF1–JF3) 
hc Mark Twain. (Cal)  •  not in (JF1–JF4, JF1–JF3) 
hc glass (Cal–JF4)  •  a glass (JF3) 
hc “By . . . man. (Cal–JF4, Cal–JF3)  •  not in (MTSk, Scrs–SkNO) 
Explanatory Notes
an Mr. Muff Nickerson] Mulford Nickerson was known as a prominent turfman and good fellow. In April 1865, for instance, he was listed as a performer in a burlesque circus program. Clemens' acquaintance with him has not been otherwise documented (“Medley Circus of California,” Golden Era 13 [30 April 1865]: 4; “The New Play,” San Francisco Examiner, 22 September 1865, p. 3).
an scriptural panorama] The panorama show presented a continuous picture—in this case, made up from scenes of biblical events—painted on a long canvas that was unrolled slowly to the accompaniment of the panoramist's commentary.
an “Oh, a life. . . rolling deep!”] From “A Life on the Ocean Wave” (1838), music by Henry Russell and words by Epes Sargent.
an “Come rise up . . . with me!”] From “Willie Reilly,” an Irish folk song.